Wednesday, September 22, 2010

Clearing Out The Attic

It is very interesting to go through your computer's attic (or that handy 'to file' folder), especially if you find some forgotten bits and pieces. Here are two of my first flash pieces. I'm still practicing at getting a whole story into 1 000 words (or less), but really hope I'm getting better at it as time passes!


I've mentioned before that www.sffworld.com has a monthly flash fiction contest, which is a very good way of stretching your mind to think up a new story with just one word or phrase as inspiration. More importantly, it is not a phrase that you, yourself, chose!

Both of these pieces were written from the first concept that I came up with when I read the theme, and Laudanum was the first flash piece that I wrote for SFFWorld.



The Tournament

Jeremy stared at the table standing on the beach. It was quite a pleasant day, or would have been if the sky was blue and not grey even though there was not one cloud in the sky. The table was bare, its two chairs having inappropriate frilly cushions on them. He realized it was the same cushions as those his grandmother had had in her kitchen. The cushions were tinted in grey as well, as if the pinks and greens had washed out of them leaving only their shadows. He looked behind him. The palms forming a distinct line between sand and forest looked like it was taken from a black and white holiday catalogue. The salt water was a clear grey. A voice next to him said: “Choose a game.” The figure was dressed in black – the only pure black he could see anywhere. His mind raced.

“Trivial Pursuit – no,” he stopped himself. He would not know the answers. He thought and thought. Chess? Checkers? Poker? Bridge, for goodness’ sake?

“Choose, human, or I will choose for you.” The voice was louder, impatient. He tried not to look at the scythe it held in one grey, bloodless hand. “You wanted to play, so let us play.”

Jeremy swallowed hard. “Dice, we will play at dice.”

Two dice appeared in his clenched hand. When he opened his fist, he saw one was of the purest white, the other pure black. When he looked up the figure was already seated at the table.

“Come,” it said, cracking its fingers. “Time for a game.”

Jeremy took a deep breath, smelling the salt in the air and walked to the table, placing the dice in the centre before lowering himself into the chair.

“You first. Highest out of three wins.”

Jeremy took the dice, shook them in his hand and let them fall. Two sixes. He let out a breath. So far so good. The figure did the same. It landed. Two ones. It was Jeremy’s turn again. He threw. Two and three. The figure threw. Two sixes. Jeremy threw. Four and one. The figure threw. Two sixes.

“Well then,” it said. “Come along.”

“Wait.” Another hand pushed the dice towards the black-robed figure. “Best one out of one.” The figure took the dice, threw. Two sixes. “He’s still mine.” The other figure threw. It landed. Two sevens. “He is mine," the voice boomed as colour returned to the world.


**** The two sevens at the end came as just a surprise to me. I wanted to write a tournament between a mortal and death where the mortal won. When I reached death saying "Come along", I thought that was that for Jeremy. The dice landing on seven, the "voice" saying "He is mine" and the colour returning to the world added so much more to the tale, especially in a Christian perspective. This is now one of my favourite pieces. ****



Laudanum

Laudanum stared at the blank page in front of him. Below him, in the kitchen, he could hear muffled voices that only sometimes rose too high or too loud for a few syllables to act as if it was a normal conversation. Nothing here seemed normal. You just had to look at his name to know that he was not normal. No normal person would name their child Laudanum. It was a wonder his newly born sister was named 'Rose' like any other normal child and not something like ‘Latrine' just because his parents liked the way the word sounds.

He kept his eyes on the page and stared intently at the darkness that lay behind them until he could see nothing but the darkness. Then, after the darkness had come, the other world came. The world that was created in the darkness behind his eyes. He knew not if he had been the creator, he was quite sure he wasn't. A few people here and there, a couple of dragons, a mythical quest or two. Those he did create. But the rest he was not so sure of. He remembered the first time he visited the place. It had no mountains then, but was simply grassland as far as the eye could see. Then he thought ‘mountains’ and the next moment they were there, on the horizon. One even had snow on top. He had never even seen snow. He also changed the weather patterns that day with his gigantic mountains. And crushed a few villages. After that he tried not to think too much while he visited. But, sometimes, a thought or emotion did slip through. And, today, it rained although rain did not seem to be the right word to describe the amounts of water falling from the sky. It was more like a monsoon rain, more like torrential rain that fell and turned all the ground to mud. And it was cold, so cold. Up in the mountains an avalanche started and slid down the great mountain.

Laudanum thought as hard as he could about sunshine, rainbows, and the absence of water. The mud sprouted into flowers as far as his eyes could see. But the sun was too warm. Just enough water, he concentrated, and could feel the water rising to the surface. The sun not too warm, he thought and could feel the sun's rays fading, although sudden flashes of light streamed from the mountains like northern lights gone berserk.

The lights he did not understand and tried not to look at them lest they blind him where he stood between the sprouting flowers, but the lights kept on flickering until he looked at them briefly and then they went away only to start again once he concentrated on the ground and the living things there.

“Not too warm,” he mumbled again, staring at the world behind his eyes.

“He’s been like this for days now doctor,” Laudanum’s mother said. “Is there nothing we can do?”

The doctor took his small torch and shone it into Laudanum's right eye. Then he shook his head.

“Not until we can figure out what is going on in there,” he said. “There is a response, but so slight…” his words trailed off as the boy mumbled again.

“Not too warm.”

The nurse sadly shook her head and removed one of the piles of blankets covering the boy.



***** My first piece's inspiration came while I was drawing an early map for Airthai. After drawing a river's course, I saw that it was completely wrong to what I had already written. Out came the eraser and I drew a new line. The sight of a whole river drying up and vanishing in seconds before appearing in another place suddenly formed in my mind.

When you stop to think about world building, you find that you can think of a few characters and a geography that just 'works'. What if the boy was so part of his secondary world that he almost had to die in the real one to give enough energy to just one part of his created one?

And, yes, I chose the name 'Laudanum' mostly because I like the sound of it. *****

Wednesday, September 15, 2010

An Airthai Fairy Tale

When the name "River of Gold" presented itself in the Midlands of Airthai (when the world was just coming together), I had to know why it was called that and why, if there are gold for anyone to take, no one would take it. The gold as the dragon's bed was formed early and from there the knight and his lady followed. Aune has become a dear, bittersweet character to me. And yes, that song does sound a bit like "Rose of Allendale"...

Aune & Everard : Or, How The River of Gold Got Its Name


Once upon a time the river that is now known as the River of Gold, in the Kingdom of Ellanda, was known as Brightwater because its water was so clear and pure. It sprung from a fountain in the Cloudstep Mountains and flowed west, through Ellanda and the Ringwood that stood at the roots of the mountains. On the banks of this river, in the small village of Greenhill, lived a fair maiden called Aune. Her hair was as dark as the night sky and her eyes shone like the morning star. She had a heart as pure as virgin snow and a voice like an angel. All the town loved her dearly for she was also a healer and could cure any ailment and fever, so that people came from many miles away to be healed.

The king of Ellanda at that time was Godfrey the Bold. He was a good king and kind to his people and many a young man went to the castle hoping to serve as one of his knights. But he would only choose the very best to defend his kingdom, for he knew of a dark menace that lay south - a dragon had been spotted making a lair in the Dragonberg. He knew that soon the dragon would sense the riches of Ellanda and come to steal it to build his bed. Two years passed before he got word from the southern mountains that a dragon was stirring from its lair in the Dragonberg.

Now Godfrey knew that there was a lot of treasure to be had in Ellanda, and he also knew that in the village called Greenhill, not a day’s ride from the castle, was an old grave of one of his forefathers and that the grave was filled with enough gold and jewels to tempt even the smallest dragon. No doubt it would not be long until the dragon ventured north and smelled the buried gold. And after it had laid waste to the village, the castle with its great treasury would be next.

So Godfrey called together his seven most trusted knights, the finest of who were the young Everard. For though he was barely twenty four, he had more skill with his blade than the sword master and could hit a running mouse in the night with his longbow.

Godfrey sent his knights to the village of Greenhill where they were to keep the people safe and guard them from the dragon if it should come. Everard was charged to slay the dragon with his bow and the king gave to him arrows tipped with white gold and dipped in the poisonous juice from the Blackroot.

Now, when the knights reached the town, they went first to the inn, but Everard walked to the green hill that gave the town its name. There, at the foot of the hill, he heard the voice of an angel singing and looked up. He recognized the song as a lay about the star-crossed lovers Sildu and Ameragh and the part he heard went like this:

The sun was fair, the sky was clear, no breath came from the west,
When Elven knight, and maiden fair wandered o’er the earth.
The mist it decked the mountain side, and laughter filled the land,
By far the dearest love of all, t’was for the maiden of the stars.
Sing maiden of the stars, sing maiden of the stars,
By far the dearest love of all, t’was for the maiden of the stars.

With all haste Everard climbed the hill, hoping to see the angel singing. As he reached the top of the hill he saw that it was a mortal maiden that was singing the beautiful song – it was, of course, Aune, and he fell in love with her the first time he saw her. He went to her and wooed her and she too, loved him in turn and it seemed as if the summer would last forever and that the dragon would never come from the south to harm the kingdom.

But when Autumn fell upon the land the dragon came to the kingdom of Ellanda and burned great swathes of land with its fiery breath as it followed the scent of gold. Everard soon learned that the red-scaled dragon was called Blauthan and that it was one of the oldest dragons in all the lands, one that the old king Marcus had used in his wars. On the sixth day after the Blauthan had reached Ellanda, the dragon reached the town of Greenhill and burned half of the houses to the ground. Then it alighted on the green hill and tore at the ground with its great claws. Chunks of dark earth and grass was thrown amidst the smouldering ashes of the town while the people hid in the Amber Wood outside the village, or farther abroad if they owned a horse or donkey.

Now the knights readied themselves to battle with the dragon and to slay it before the dragon could make more destruction. All seven armed themselves with hauberks of the finest chainmail and swords of the strongest steel. Everard hung his arrow-filled quiver at his side and strung his great longbow. They waited until twilight fell and then they marched on the dragon, for their horses were too skittish at the smell of the dragon to venture near to it.

When they came upon the dragon he had already broken through the hill into the tomb and lay on the gold and jewels that had been entombed with the old king many generations ago. It mocked the knights and with the first swipe of its great claw sent one of the knights to his death. The wyrm spewed fire into the air and scorched the very air, but Everard’s heart did not quail. He knocked an arrow and pulled it to his cheek. He waited for the dragon to rear and loosed the fateful shaft. The arrow flew from the great bow and hit the dragon in its soft underbelly, boring through the scales there. The dragon roared and set the grass about the hill aflame. Then he lunged at the young knight. With one blow of its massive claws sent the knight’s soul to the afterlife as the dragon’s lifeblood ebbed away and the Dragon's Bane poison consumed him and the great beast died upon its bed of stolen gold.

Deeply bereaved, the remaining knights loaded their fallen leader onto a makeshift bier and carried him through the scorched grass of the hill towards the town, leaving the dragon upon the pile of gold and jewels and not one of the knights wanted a single coin of the hoard.

The villagers, meanwhile, watched the fight from a distance and when they saw the dragon die and its fire go out, most rushed to the hill to see what gold or jewels they could claim for themselves. Aune went to look for Everard, with an awful knot in her stomach and tears in her eyes. She came upon the knights and the bier and cried and wailed when she saw the lifeless body of her love Everard. As the villagers rushed past her, she grew angry and when they started press her to gather some of the gold for herself, she gathered golden coins and jewels in the large pocket of her apron. Then, when she could barely walk from the gold’s weight, she kissed Everard on his brow and stumbled to the river. There she stepped into the dark water, but instead the water claimed her in the darkness.

When the rest of the village realized what she had done they went to the river bank, but saw only gold glittering on the river bed. Most of them then realized that they had fallen prey to the bane of the dragon that made them want gold and riches more than anything in the world. They did not even think of all those that lost their lives at his claws and fire. One by one the villagers also threw the gold into the river to be buried there or to wash downstream with the strong current to find new masters. But though gold is still seen on the river bed of the river now called the River of Gold, no one will touch it, or claim it for their own, lest the dragon’s bane come upon them.

As for Aune and Everard, most agree that they are now living the life together that they did not have a chance to live upon the earth, and that where they are now living; there are neither dragons, nor pain, nor death. Only love.

Thursday, September 9, 2010

Vikings and gods and elves, o my!

You can never have too many translations of a piece you're studying! It was with glee that I read a small part of Carolyne Larrington's translation of the Poetic Edda while reading up on Voluspa and Gylfaginning. After some searching, I found the book online and bought it, as much for my studies as for myself. I am not disappointed and would really advise anyone that wants to read the Poetic Edda in English to get themselves a copy of this translation. It contains both the mythological and the heroic poems of the Elder Edda and really brings the poems to life in a contemporary voice.


Voluspa starts as follows:
Attention I ask from all the sacred people,
greater and lesser, the offspring of Heimdall;
Father of the Slain, you wished that I should declare
the ancient histories of men and gods. Those which I
remember from the first.

So, I like mythology (or folklore)… where do I start?

Ok, I'm not going to act as if I'm the guru on this topic, but I can give a few pointers with regards to books that I like or have found helpful.

If you just want an overview of world mythology or a certain mythology (e.g. Norse), have a look around for an encyclopedia of mythology. These books help to give you a feel of the different myths and some of the key characters. I quite like The Complete Dictionary of Symbols in Myth, Art and Literature (ed. Jack Tresidder). Then there is always the Bulfinch Mythology books – as a classic being reprinted, it is easy to get and a lot cheaper than many of the books out there and probably available as a free e-book as well.

If your favourite authors make use of mythology in their books, have a look where they get their inspiration. (Like Tolkien? Why not get your hands on a copy of Beowulf?) Or have a look at the actual works of different mythology – for the Norse & Germanic there is the Elder and Younger Edda, if you want to learn more about the Finnish mythology, get a copy of the Kalevala. Classical Mythology more to your taste? Try the Iliad and the Odyssey.

For Norse mythology I find John Lindow’s Norse Mythology: A Guide to the Gods, Heroes, Rituals and Beliefs very helpful to refresh the memory.

Mythology Books Recently Stumbled Upon:

The Mythical Creatures Bible by Brenda Rosen – “The Definitive Guide to Legendary Beings”
- This book not only covers many well and little-known creatures of myth and legend, but also some of the gods of the different religions.
- Includes helpful tables describing different types of dragons, giants, etc.

Myths & Legends: An Illustrated Guide to Their Origins and Meanings by Philip Wilkinson.
- Includes some pieces on Africa, The Americas and Oceania, though focusing a lot more on the mythologies of Europe, West and Central Asia and South and East Asia.


What I am working on:

After being away from www.sffworld.com for almost two months, I am working on a flash piece for their September Flash Fiction competition. I have also started musing about a type of follow-up for "A Dragon's Freedom", also set in Airthai, but with a glance at the Sundered Lands to the south, where the Dragon Guardians came from.

I have decided to rather put a novel-length work on the back burner for now while I finish my postgrad studies. It is a lot easier to focus on a small work and is also helping to flesh out more of the places on the Airthai map that I still know fairly little about.

An Airthai map: Busy re-drawing some of my Airthai maps (yes, I still do it the low-tech way, by hand), mostly to make them a bit neater around the edges and, most importantly, sticking to one language (either English or Afrikaans).

Also updating and re-typing the Airthai timeline. Will put a shortened version up when it's ready. Holding thumbs it will be at the same time as the map and before the end of September.

Tuesday, August 31, 2010

Some notes about "A Brief Essay"

Some more good news! I received the html version of my piece: A Brief Essay on the Language and Mythology of the Ekhié and the neighbouring Mákek Peoples of the Highveld Forests and the Ancient Watmákekhié Site to check and will be published in the Speculative Grammarian. If you have studied language or linguistics, give this online journal a try. Although the writers act extremely serious, it is an extremely fun and funny journal to read.


In a previous blog post I mentioned that I felt let down when I found out that the "lost city" that had been "discovered" was just an advertisement for a casino. In the last two pieces that I've written for the Speculative Grammarian, I found myself not only writing a diary entry for an expedition into the mythical "Highveld Forests", but also constructing a whole mythology for the people of the forest.

In a spoiler (of sorts) I can say the following: no, there are (in at least some realities) no dense, tropical jungles (with pyramids) in the Highveld. But there are a lot of gold and gold mines and Johannesburg is often referred to as "eGoli", which means "place of gold" in Sotho. I did have a lot of fun in creating the "Ekhié" and "Mákek" mythologies and the few words of their lexicon which is given in the piece. The name "Watmákekhié" is made up of a contraction of Afrikaans "Wat maak ek hier"; which literally means "what am I doing here", but sounds (and looks) exotic enough. O, yes, and I just had to add some extraterrestrials and fairy dust into the mix…

I will definitely post the link when it's available.

If you'd like to check the journal out, here's the link: http://specgram.com/

Tuesday, August 17, 2010

A Bridge, a Dragon and Some Magic

Some good news!



Yesterday I received the wonderful news that my short story, "A Dragon's Freedom" will be published in The Cross and Cosmos in October 2010! The story is set in the world of Airthai and tells the tale of Nasja, a Dragon Guardian, and Skáhag, one of the dragons of the Southern Lands. I will paste a link here as soon as it's published – and some information on how Nasja and, especially, Skáhag fit into the bigger picture of Airthai.

Digging in the dirt

A few days ago I attended one of the Archaeological Society of South Africa's lectures. This lecture was about the Vikings – piquing my interest, of course, and the invitation to the lecture luckily sent to me by my study leader.

At one time during the lecture the talk turned to the Battle of Stamford Bridge and the legend (which may or may not be true) about the lone Viking on the bridge… This made me remember a poem I had written a couple of years ago about the man that was "sent to the bridge" alone to fight while the other soldiers ready their armour and weapons.

I wanted the man to be brave and heroic where he fought alone, but instead of thinking of Valhalla and becoming one of the Einherjar, he was thinking about the family he has left behind.


Send me to the bridge

Send me to the bridge
While the men their weapons gather
Send me to the bridge
With the war-host marching hither.

The wood of spears that flow like a river
Flows to me where I stand above the water.
The wood of spears alight in the sun
And blinds me where I stand above the water.

To the bridge we have come,
Our days weary with the sun of an unknown land
For our king we came across the sea
To meet our doom in an unknown land.

Send me to stand upon the bridge
While the others their weapons ready,
Let the sword of fate send each
Man to his doom upon the bridge.

My brother is waiting behind me,
My mother is at home,
My wife and only daughter left behind
And I am left to meet my doom.

Send me to the bridge to fall
Upon the wood so dark and cold
And let me gaze upon the river
And the faces of those that I take with me.

Carry me from the bridge.
Nameless I have fallen,
Bury me unmarked and unknown
Nameless known I will be still,
Nameless known while ages pass,
Nameless known after my bones be dust.


For more information about the battle, you can visit http://www.historyofwar.org/articles/battles_stamford.html

The Magic and Talent of Airthai

As seen in the creation-story of Airthai, the Creator gave Talent to all the persons and races. Though this Talent is later, after the Diminishing, sometimes seen as being the same as magic, it is not so. The Talent is power given freely by the Creator and was given to be used for good.

The actions of the Lewjan, however, brought the use of Magic into the world of Airthai. They fed on the Shadow Power, twisting their Talent until it was so full of malice that they could do no good with it anymore. This power used only twisted Talents and mortals called upon the Betrayers and their demons to grant them the power to use magic. This gave the bearer more power than the Creator in His wisdom gave to mortals. This power was not used for good, but to bring more Shadow into the world.

In this age of the world great wars were fought as people found how to make weapons to hurt and kill each other. This was before the Sundering of the Lands. It is said that, after the Sundering, the people on the Great Continent broke and burned all the great siege machines that had been built before, hoping that the knowledge to build them and use them would die along with them. These machines would not be seen again for two ages of the world.

The Creator saw what the power was doing to the people of Airthai and decided not to give so much Talent to all people, but only give the full power of the Talent to a few. These few were born to different families, poor and rich, and many became Ahma – People of the Spirit – and were endowed with great healing power and great power over the Shadow.

But the Great Continent was not totally devoid of Lewjan, just as the Sundered Lands were not completely devoid of those that had not betrayed their Creator. On the Great Continent, in the Southern Lands, the great House of the Khallahna (Followers of the Spirit) was formed. They kept the good knowledge alive and the few remnants of books remaining on the Betrayers they kept secret, fearing that they might one day again have to fight them and then they would have to know how to fight them.

Unfortunately, some of the Khallahna that read these remnants found their hearts changed and yearned for the power they saw in the Lewjan and their followers. In secret, they formed a society inside the Khallahna that betrayed the Creator and became Shadow Followers. These Shadow Followers were helped in their fall by the Werlea that had remained in the Southern Lands. These Werlea were Shadow Lords, but were created as mortals, not as immortal Airus.

The Tearing of the Khallahna

It was at the Battle of the Black Field that the Shadow Followers of the Khallahna made themselves known. A war then broke out between the different factions of the Khallahna. They fought on the battlefield and at their towers. Soon the Shadow Followers became known as the Khalvér, which means Follower of the Shadow, and the others became known as the Khalné, which means Followers of the Light.

After a truce was reached, the Khalné thought that they could turn the Khalvér away from their ways, back to the Creator, and they gave one of the three towers that belonged to the Khallahna to the Khalvér, while they kept one and shared the middle one. The folly in this was soon realised, but by then it was too late and they stood again on the brink of war. But that is another story…

Monday, July 26, 2010

Some Enthused Ramblings on Mythology, Legends and Folklore

If you look at the books I own or read, you'll find a horde of titles about myth, legend, folklore, history and archaeology. The past stretches out so far behind us today – here in the twenty first century – that we sometimes forget that we had to start somewhere to come at last to this point in time. The borders of the world's countries have shifted, whether due to human interaction or by the forces of nature. Rivers change their courses, climates change, and sometimes continents may even sink beneath the ocean to be lost forever…

One thing that still fascinates me about the Old Testament is the glimpses of all the peoples you get to see. The Egyptians in their grand palaces, the Philistines, of course, Assyrians… I could go on and on and on. I find Biblical archaeology especially interesting and can't resist the news of new Viking or Anglo Saxon hoards being found. At the moment I'm busy reading "Unearthing Atlantis: an Archaeological Odyssey" by Charles Pellegrino which is proving to be quite interesting, but also very explicit in the destruction caused by volcanoes. Do not read before bedtime!

http://www.literatureview.com/moxie/travel/atlantis.shtml

The city of Petra and its sister city Hegra (see the July/August 2010 issue of Archaeology Magazine at http://www.archaeology.org/curiss/ ) also holds fascination and have in part inspired some of the new fiction I am busy with concerning the Ealda people of Airthai. The kingdoms and peoples of the "old days" have always held a type of glamour (also in the magical sense of the word) for me. I remember how thrilled I was when I was about 5 years old and heard on the TV that a "lost city" had been found in South Africa – and how crushed I was when I was told that it wasn't a real lost city, but one at a big casino and hotel complex!

Of course I learned of the Aztecs, the Mayas and their frightening human sacrifices and the Amazon have always held a strange attraction for me. (Try Lost City of Z by David Grann.) But I also learned of Van Hunks that was in a smoking contest against the Devil, lost the contest, and was fated to sit on Table Mountain and smoke for all time. That is, of course, where the blanket of cloud on top of the mountain comes from… Then, of course, there's the Flying Dutchman and other (real) South African legends like Wolraad Woltemade, whom I've always pictured on a white horse… go figure.

I learned of Classical mythology along with Norse mythology, King Arthur and Robin Hood – I only later learned more about Celtic mythology, which I also fell in love with and learned about the Kalevala after reading The Lord of the Rings.

I ended up reading more and more about the different mythologies and learning about the people behind the mythologies and the legends. Could we ever truly understand how the people who believed these mythologies thought? And yet I still can only read these myths and legends with the knowledge that I already have.

But I can see worth in these tales even though I do not believe them to be true. To be sure, my heart breaks every time I read of Balder's death at the hands of his brother. (How must poor Hoder have felt when he realized he had just killed his brother?) And I can laugh heartily at Thor's doings when he meets Utgarda-Loki, but they remain for me fantastical tales. Some, of course is more believable than others, and some we wish to be real even after scholars say they can't be… Some stories tell of things that might have happened a long, long time ago in another world… And some stories may inspire us to make this world a better one…

For Wolraad's story, visit: http://en.wikipedia.org/wiki/Wolraad_Woltemade

In the next blog post I will tackle the creation story of Airthai and the question of magic and Talent in the world of Airthai.

Friday, July 16, 2010

Die drakelied van Ameragh/ Ameragh's Dragon Song

Here is a short "song" I wrote for another character in Airthai, Ameragh. In one instance, she sings a dragon to sleep by using the "Ancient tongue" gifted to some of the peoples to be able to communicate with the dragons. This is sang to the dragon Skahag, another wild dragon. His tale is told in part in "A Dragon's Freedom", a short story I hope to get published in the near future.

But, until then, here is the Dragon Song - followed by two translations.

afdóbna slépan


nachts diuzis-winnan

funins diuzis-winnan

aírthós diuzis-winnan

aftra aflinnan aírthái

aftra aflinnan afdumbna

afslagan bileitha

afdóbna slépan

slépan nachts diuzis-winnan!



wat beteken:



wees stil, slaap

draak van nag

draak van vuur

draak van aarde

gaan terug na die aarde

gaan terug na stilte

moenie doodmaak nie

wees stil, slaap

slaap draak van nag



which means:



be still, sleep

dragon of night

dragon of fire

dragon of earth

go back to the earth

go back to the silence

do not kill

be still, sleep

sleep dragon of night

 
In the next post I will give a few thoughts of my own about mythology, legend and the like and share the "Creation Story" of Airthai. Every world needs a beginning...