Friday, October 11, 2013

Ageless Words Friday: The Battle of Maldon – with Lego!

I’ll admit I love stop-motion Lego films – especially those made by Brotherhood Workshop – so I was thrilled when I came across a short film about the Battle of Maldon made by DTGProductions, using the Anglo-Saxon poem and with Old English subtitles. If you haven’t visited Unlocked Wordhoard (theblog of Dr. Richard Scott Nokes) do so immediately after watching the film.

Without further ado, please enjoy The Battle of Maldon. For my other post relating to this battle; click on the links below the video.






“Hige sceal þe heardra, heorte þe cenre, mod sceal þe mare, þe ure mægen lytlað.” 

Wednesday, October 9, 2013

Worldbuilding Wednesday - Scripts and Legends

After years of wondering how to make my own fonts (but never really getting around to it) I at last put in some time and found "MyScriptFont" - and it worked! Today I am as giddy as can be and am proud to give the first glimpse of how a text would look written in the Midland Alphabet (also the one which most of the Keepers use). It still needs a bit of work, but below is the Legend of the Tellerassar's Cry in the script. (Below the picture is the legend. It can also be read over here, with some of the other legends over here and here.)

Epic nerdy goodness!



Why the Tellerassar’s Cry is so Mournful

It all happened on the day on which Ikaira, fleeing the Kingdom of Guldargan with his people, was trapped in a gorge near the Great River, which flows across the breadth of the Midlands of Airthai. A clear river flowed from crevices at the far end of the gorge, the water cutting deep into the light coloured rock as it rushed towards the Great River. Ikaira realized that there was no way for his followers to escape and that they would all surely perish at the hand of King Markus’ soldiers who were by this time driven mad with bloodlust for their hunted quarry. He called out to the Creator, begging him to save his people from Markus’ wrath.

They watched with horror as the soldiers approached, and some of Ikaira’s followers tried to climb up the steep sides of the gorge, but all slid on smooth boulders or loose rocks and fell to the bottom with horrible cries. Again Ikaira prayed and begged, joined by his people, for they saw their deaths approach.

Even as they pushed the women and children to the back of the group a mist began to form around them. The strange mist rose from the deep waters, becoming thicker and thicker as it rose until the group was hidden from sight. Each of Ikaira’s followers felt a strangeness overcome them as their bodies changed and moulded to the forms of eagles.  

Ikaira and his followers beat their wings and soared into the sky. But the archers among the soldiers of Markus nocked their barbed arrows and shot a volley towards the mist and, when the eagles rose above the mist, another volley was ordered.

Only six of Ikaira’s followers were hit, but among them was Alaila – the young woman Ikaira dearly loved and to whom he was engaged. With a shriek she fell from the sky, turning back into her human form. Ikaira saw her blue-clothed form disappear into the fog above the river.
Driven back from the river by the soldier’s arrows, Ikaira’s followers headed north at the command of his call – the language that they all could now understand. But Ikaira stayed behind, landing on a tree on the edge of the cliff, his heart broken in countless pieces and unable to understand why he had been saved and Alaila had not. When his breast could contain the grief no longer, he threw his head back and shouted her name to the heavens even as his voice was wrecked with sobs. This mournful call became the cry of all Tellerassar.

And to this day the Tellerassar’s cry as it flies above rivers and lakes haunts all those who hear it. It is even said by some that Ikaira still lives on in a ghostly form, always returning to the gorge and the river where Alaila perished, still seeker his love. Only when he at last finds her would his soul finally be at rest.


Wednesday, September 11, 2013

Master of the Word Hoard – Seamus Heaney

“Internationally recognized as the greatest Irish poet since WB Yeats…*”, and a winner of the Nobel Prize for Literature, the first poetry of Heaney’s which I read was his masterful translation of Beowulf. Though at that time I’d only heard of the poem, I had been searching for it in the local bookshops for some months before finding the slim volume hidden among other volumes on the “Poetry and Literature” shelf. When at last I got my hands on it, I had no idea of the impact it would have on my life.
Opening lines of Beowulf
As someone mostly ignorant of Anglo-Saxon poetry (and the richness of the language and culture) at that time, the poem opened up a whole new world. It was a world veiled by time, culture and many of the prejudices held about the Dark and Middle Ages. But it is a world steeped in legends and myths; the heroes great but fallible, the warriors and lords capable of great destruction, and yet lament at the death of friends. One of my favourite passages in the poem – and one which still move me to tears, is  when Hrothgar laments his counselor Aeschere’s death:
Then Hrothgar, the Shieldings’ helmet, spoke:
‘Rest? What is rest? Sorrow has returned.
Alas for the Danes! Aeschere is dead.
He was Yrmenlaf’s elder brother
and a soul-mate to me, a true mentor,
my right-hand man when the ranks clashed
and our boar-crests had to take a battering
in the line of action. Aeschere was everything
the world admires in a wise man and a friend.



There are also videos of Heaney reading from his own translation:

Seamus Heaney - Beowulf (1/7) by poetictouch

Yes, Heaney left a body of work worthy of remembrance and celebration. His name will be remembered and his works will endure. Yet, my sorrow at the news of his passing was the sorrow of someone who was deeply touched by a work over a thousand years old; a body literature suddenly made accessible. It was the sorrow of someone who could never say “Thank you, you have touched my life and led me on a path I could never have foreseen”.

In his foreword to TheWord Exchange, Heaney noted “… Anglo-Saxon poetry isn’t all stoicism and melancholy, isn’t all about battle and exile and a gray dawn breaking: it can be unexpectedly rapturous as in The Vision of the Cross and happily didactic as in the allegory of Whale. It can be intimate and domestic, and take us to places far behind the shield wall…” (Delanty & Matto 2011:XII).

Yet, in the end, there is perhaps not much more than I can say, but to quote from the Maxims found in The Word Exchange (Delanty& Matto 2011:13):
A tree must shed its leaves,        its branches be barren;
the traveler must embark            on the start of travels;
all the mortals must       meet their fate
But, Mr. Heaney, may your words live forever, bringing new inspiration to those who already know your work and those who pick up one of your volumes for the first time. Thank you for touching my life.

Photo by Ian's Shutter Habit
Sources: