Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Friday, October 11, 2013

Ageless Words Friday: The Battle of Maldon – with Lego!

I’ll admit I love stop-motion Lego films – especially those made by Brotherhood Workshop – so I was thrilled when I came across a short film about the Battle of Maldon made by DTGProductions, using the Anglo-Saxon poem and with Old English subtitles. If you haven’t visited Unlocked Wordhoard (theblog of Dr. Richard Scott Nokes) do so immediately after watching the film.

Without further ado, please enjoy The Battle of Maldon. For my other post relating to this battle; click on the links below the video.






“Hige sceal þe heardra, heorte þe cenre, mod sceal þe mare, þe ure mægen lytlað.” 

Wednesday, September 11, 2013

Master of the Word Hoard – Seamus Heaney

“Internationally recognized as the greatest Irish poet since WB Yeats…*”, and a winner of the Nobel Prize for Literature, the first poetry of Heaney’s which I read was his masterful translation of Beowulf. Though at that time I’d only heard of the poem, I had been searching for it in the local bookshops for some months before finding the slim volume hidden among other volumes on the “Poetry and Literature” shelf. When at last I got my hands on it, I had no idea of the impact it would have on my life.
Opening lines of Beowulf
As someone mostly ignorant of Anglo-Saxon poetry (and the richness of the language and culture) at that time, the poem opened up a whole new world. It was a world veiled by time, culture and many of the prejudices held about the Dark and Middle Ages. But it is a world steeped in legends and myths; the heroes great but fallible, the warriors and lords capable of great destruction, and yet lament at the death of friends. One of my favourite passages in the poem – and one which still move me to tears, is  when Hrothgar laments his counselor Aeschere’s death:
Then Hrothgar, the Shieldings’ helmet, spoke:
‘Rest? What is rest? Sorrow has returned.
Alas for the Danes! Aeschere is dead.
He was Yrmenlaf’s elder brother
and a soul-mate to me, a true mentor,
my right-hand man when the ranks clashed
and our boar-crests had to take a battering
in the line of action. Aeschere was everything
the world admires in a wise man and a friend.



There are also videos of Heaney reading from his own translation:

Seamus Heaney - Beowulf (1/7) by poetictouch

Yes, Heaney left a body of work worthy of remembrance and celebration. His name will be remembered and his works will endure. Yet, my sorrow at the news of his passing was the sorrow of someone who was deeply touched by a work over a thousand years old; a body literature suddenly made accessible. It was the sorrow of someone who could never say “Thank you, you have touched my life and led me on a path I could never have foreseen”.

In his foreword to TheWord Exchange, Heaney noted “… Anglo-Saxon poetry isn’t all stoicism and melancholy, isn’t all about battle and exile and a gray dawn breaking: it can be unexpectedly rapturous as in The Vision of the Cross and happily didactic as in the allegory of Whale. It can be intimate and domestic, and take us to places far behind the shield wall…” (Delanty & Matto 2011:XII).

Yet, in the end, there is perhaps not much more than I can say, but to quote from the Maxims found in The Word Exchange (Delanty& Matto 2011:13):
A tree must shed its leaves,        its branches be barren;
the traveler must embark            on the start of travels;
all the mortals must       meet their fate
But, Mr. Heaney, may your words live forever, bringing new inspiration to those who already know your work and those who pick up one of your volumes for the first time. Thank you for touching my life.

Photo by Ian's Shutter Habit
Sources:

Thursday, May 30, 2013

Death at the Dragon’s Prow

If there’s one thing you can say about Medieval Scandinavian poetry, is that much of it is haunting in its sorrowful beauty. This piece of poetry forms part of the Sturlungasaga. Read only in this context, its first two lines immediately brought to mind the carved dragon prows found on some of the Viking ships.

You must climb up on to the keel,
cold is the sea-spray’s feel;
From the Oseberg ship. Photo by Jean-Pierre Dalbéra.
let not your courage bend:
here your life must end.
Old man, keep your upper lip firm
though your head be bowed by the storm.

You have had girls’ love in the past ;
death comes to all at last.

This is the original text in Old Norse:
Upp skaltu á kjöl klífa,
köld er sævar drífa;
kostaðu hug þinn herða,
hér skaltu lífit verða.
Skafl beygjattu skalli
Þótt skúr á þik falli.
Ást hafðir þú meyja;
eitt sinn skal hver deyja.*

This poem is actually recited by Þórir jökull Steinfinnsson just before his execution. But that would not have made a very attractive title for the post, now would it?

*Both English and Old Norse texts quoted from What Was Viking Poetry For? by Anthony Faulkes.

And there’s more!
Visit www.vsnrweb-publications.org.uk for some other great texts and tales (most scholarly).
The website www.heimskringla.no also has a wide variety of texts dealing with Medieval Icelandic literature and Norse mythology in various languages.
The Anglo-Saxon (Old English) manuscript of Beowulf can now be viewed for free on the British Library website,over here.

Sources:
Faulkes, Anthony. 1993. What Was Viking Poetry For? Inaugural lecture delivered on 27th April 1993 in the University of Birmingham. ISBN: 0704413957