Tuesday, June 28, 2011

A Ghost's Writing / Spokeskrif

A Ghost's writing
9 October 1941. The newspaper frontpages on the screen is dark and dull. The headlines on all the frontpages tell only one story: Nazis drive deep into Leningrad Lines reads New York’s Daily Messenger. Another reads: 1,000,000 Russians said Trapped – The Hayward Review. I turn back to the Dickens book open at my elbow. The pages are the colour of weak tea and smells of dust. The ink on the page is still a bright black, but the handwriting leaves much to be desired. In the upper right corner, below the pencil marks of the scribbled price of R30,00 is the date: 9 October 1941. Below it, on the left is the name – it looks to be ‘Abie’. I read the message again; “To Abie, on the day of his Bar-Mitzvah”.
The Computer bleeps as it loads the page an I look back at the screen. A new frontpage has loaded – Big German armies pound closer to Moscow.And I wonder who left this book at the secondhand shop.

Spokeskrif
9 Oktober 1941. Die koerantvoorblaaie op die skerm is donker en dof. Die opskrifte van al die voorblaaie vertel net een storie: Nazis drive deep into Leningrad Lines lees die Daily Messenger van New York. ’n Ander: 1,000,000 Russians said Trapped – The Hayward Review. Ek kyk weer na die Dickens-boek wat by my elmboog lê. Die bladsye is die kleur van flou tee en ruik na stof. Die ink op die bladsy is nog 'n helder swart, alhoewel die handskrif veel te wense laat. In die regterkantste hoek, onder die potloodmerke van die vinnig geskribbelde prys van R30,00, is die datum: 9 Oktober 1941. Onder, links is die naam–  ‘Abie’, lyk dit vir my. Ek lees weer die boodskap wat daar geskryf is: “To Abie on the day of his Bar Mitzvah”.
 Die rekenaar bliep-bliep soos dit die bladsy laai en ek kyk terug na die skerm. ’n Nuwe voorblad het gelaai –“Big German armies pound closer to Moscow". En ek wonder wie hierdie boek by die tweedehandse winkel gaan aflaai het.

Monday, June 27, 2011

Flashes of Fiction: A Leaf of Dragon’s Bane

Focus.” Halian’s voice was firm. “Ellifa, you need to get these names right or you can make someone more ill or even kill them.” Halian rearranged the dried leaved on the table in front of her apprentice. On her one hand she wore a silver ring bearing the sign of the Keepers of Théotriewe, showing that she was once one of them. The leaves crumbled as she moved them, their fragrances forming a heady scent. The healer wiped over her brow and pushed her long braid over her shoulder, trying to hide from Ellifa that she, too, was exhausted.
“Name these plants,” she commanded.
Ellifa rubbed her eyes, trying to dispel the sleep and focused again on the leaves, stifling a yawn. Each of the leaves is dried, crinkled and creased and almost the same colour. She blinks twice and then starts on the left hand side of the row. As she named each one, she moved it slightly towards Halian. Then she pauses at the last leaf. It is definitely not one that she knew. But she was also smart enough not to guess – that was the first lesson she received as a Healer’s apprentice.
Halian picked the leaf up and placed it in its own glass bottle on the shelf with her books.
“What plant is that?” Ellifa asks, her eyes fixed on the jar. Halian had never acted like this before.
Her mistress takes one of the volumes off the shelf and places it in front of Ellifa. She opened it at an old bookmark.
“I saw the title, Mistress Halian,” Ellifa said, trying not to sound disrespectful. “It is a book about legendary and mythical plants and animals.”
Halian’s smile deepens the wrinkles around her eyes. “Look,” she says and points to the page before glancing again at the bottle on the shelf. “Legendary indeed.”
“Dragon’s Bane?” Ellifa asked, reading the heading in the book. ”I thought the plants were all destroyed?”
The drawing in the book showed a plant taller than a grown man, with thick, black roots and more thorns than she thought possible on one plant. The flower petals are the shape and colour of flames and the fruits are in the form of small red and orange berries.
“It’s a plant that is only found in Naeddre,” Halian said, reciting the text on the page verbatim. “The roots and berries of the plant are used to produce the Blackroot or Dragon Poison that is used by the Fáll on their arrows. The berries are poisonous and are eaten by neither bird nor animal. The leaves resemble a claw and are dark green in colour. The first two leaves on every branch, when still light in colour, is used to create an antidote against Dragon’s Bane Poison.”
Ellifa walked over to the shelf and gingerly picked up the bottle. “Where did you get this? Who brought this here? Is this why you woke me up in the middle of the night?”
“Marko brought it here – some Fáll were captured not far from Éafod. They also had some of their writings with them.”
“And you need me to go to the city and decipher them?”
“We’re lucky that Abreiotan taught you the script. We do not know of anyone else in the whole province that can read it.” Halian paged through the book to give her hands something to do. “We need to know if the prisoners are telling the truth. If they are telling the truth, it would change everything.”
Ellifa sighed. She had been looking forward to the Spring Festival for weeks. Then she silently chastised herself for thinking of celebrating a simple festival when Fáll from Naeddre – the great enemy – had been so far from their own borders. She was acting like a silly girl, not an apprentice almost on her way to the Keepers. “When do we leave?”

Dried Leaf by Ofonesvanity

Friday, June 24, 2011

Ageless Words Friday: “O lux beata trinitas”

“O lux beata trinitas” is a Vespers hymn, sung by (among other artists) by Anonymous 4 and appears on their album Four Centuries of Chant. For more information, click here. The Latin text is followed by an English translation[1] and then an Afrikaans translation[2].

The Latin Text:
O lux beata trinitas
Et principalis unitas,
Iam sol recedit igneus
Infunde lumen cordibus.

Iam noctis tempus advenit,
Noctem quietam tribue,
Diluculo nos respice,
Salvator unigenite.

Te mane laudum carmine,
Te deprecemur vespere,
Te nostra supplex Gloria
Per cuncta laudet secula.

English Translation:
O light, blessed threeness
And primal oneness:
As the fiery sun sets,
Pour light into our hearts.

Already night approaches:
Grant us a peaceful night.
Watch over us at sunrise,
Our only-begotten savior.

With song we praise you in the morning
We pray to you at sunset:
With our “glory” may the suppliant
Praise you through every age.

AfrikaansTranslation/ Afrikaanse vertaling:
O lig, geseënde drie-enigheid
En vorstelike eenheid:
Soos wat die vlammende son sak,
Stort U lig in ons harte.

Die nag kom reeds nader:
Gun ons ‘n vreedsame nag,
Waak oor ons by die sonsopkoms,
Ons eniggebore redder.

Ons prys U met gesang in die oggend
Ons bid tot U by die sonsondergang:
Mag die smekeling met ons “gloria”
U prys in elke era.

Vellum from the Codex de Predis, 15th Century - The Last Judgement: the stars fall and everything is turned upside down


[1] Text and translation from Harmonia Mundi USA
[2] I admit I translated it from the English into the Afrikaans – my Latin is really not that good and can almost be called ‘non-existent’. 

Thursday, June 23, 2011

A Dragon, a Phoenix, Music and Dancing

Paper myths
While rummaging around for inspiration for some quilled wedding invitations I’m making for a friend, I (again) came across the wonderful blog If Looks Could Quill, where a quilled dragon and phoenix also features… truly beautiful works of art!

Phoenix - Paper Quilling

Dragon - Paper Quilling
  Heavenly music
Anonymous 4 ‘s music is some of the most beautiful I have ever heard. I first came across their CD Four Centuries of Chant while browsing the Classical Room at a local music shop – and now I’m slowly building my music library to contain all their CDs… (And look out for one of the songs tomorrow on Ageless Words – with a translation, of course!)
“Renowned for their unearthly vocal blend and virtuosic ensemble singing, the four women of Anonymous 4 combine musical, literary, and historical scholarship with contemporary performance intuition as they create ingeniously designed programs, interweaving music with poetry and narrative.”

Time to brag about local talent…
I also got a delightful surprise birthday gift from my sister and brother in-law – tickets to see South African Ballet Theatre’s Romeo & Juliet! And last Saturday was chosen especially because my favourite dancers were performing. Here’s a small gallery. I see the next ballet for the season will be The Sleeping Beauty – can’t wait! I have to get tickets. And it’s always a pleasure to go to the theatre.

Wednesday, June 22, 2011

World-pondering Wednesday

About two weeks ago, I got sudden inspiration on the way home from work for a new fantasy world which I’ve been struggling with. Not wanting to freak my fellow lift-club passengers out, I did not shout Eureka! I also did not immediately grab my ever-present notebook and rummaged for a pen to jot it down. No, rather I filed it away under ‘URGENT’ and waited to get home (which at that point was about five minutes away and the reason why I could wait). I also may have feigned interest in whatever was on the radio while actually worldbuilding in my mind. I hope I didn’t have a cheesy grin on my face. At the moment the file on my computer about this world is simply called “The Readers”. I love it when a WIP suddenly becomes clear!
My first venture into this world was this piece for NaShoStoMo earlier this year, though it’s already undergone quite a lot of changes. And this world, I’ve found, will be darker than the Airthai stories I’ve been working on and have written over the years.

Speaking of Airthai, I found this on Deviant Art and found it fits in very well with the Airthai dragons.



Tuesday, June 21, 2011

Thank God for tea (and coffee)!

 “Thank God for tea! What would the world do without tea? How did it exist? I am glad I was not born before tea.” (Sydney Smith 1771 – 1845)

I recently picked up a book called A Movable Feast: Ten Millennia of Food Globalization by Kenneth F. Kiple at a warehouse book sale. That sale really was ‘overload’ even though I loved every minute of it. Piles of boxes stood at the door to the warehouse for you to take in with you. People were emerging from the inner labyrinth of books staggering under boxes filled to the brim, blinking in the bright daylight as if they forgot for a moment that there was a world outside which did not exist of isles and piles of books.
One thing that sales like these makes possible is for readers to easily – and quite cheaply – try out new genres, writers and basically anything that ‘looks interesting’. And if you end up not liking it? Well, you probably paid about R10 for it, so it’s much easier to part with at your local library. (I usually do this with books that I find are not quite in my taste – someone else is bound to like it and get some use out of it.) And The Movable Feast did look and sound interesting to me – how much do we really know about the history of the food we eat, after all?

Just a simple thing like my usual breakfast – muesli with yoghurt and coffee or tea with sugar and milk – turns into an exotic meal. The usage and spread of both tea and coffee (and the sugar that goes with it) is a fascinating read. (Though, I still prefer my coffee and tea with sugar and milk. Sugar I can still do without, but not the milk. No salt or butter for me, thank you, those are too exotic for my taste.)

On the days that I am unable to start with either a cup of tea or coffee, I always feel as if I’ve missed some important step in getting ready for work. And that nagging feeling will remain, leaving me to double check that I am not still wearing slippers, or forgot to brush my hair. I make my first cup at work while the computer is starting up and e-mail is loading. That way I can sit down, take a sip and focus my mind without any pesky coffee cravings drawing my attention away from the screen and towards the drawer where my stash of coffee and tea is kept.

And what better way to end a busy day than with a book and a mug of rooibos tea? 

The Rooibos plant

Monday, June 20, 2011

Some Local Folklore and Writing News

I follow artist Andrew Baker’s RSS feed and received this stunning (but frightening) piece of a Tokoloshe last week.


"Tokolosh" by Andrew Baker


This reminded me of a story I did a while back. I tried my hand at a story incorporating local folklore and I used an amalgam of beliefs about the Tokoloshe and it turned out as quite a dark piece. But I guess it is a gory subject!

Doctor’s Visit

“You’ve come too late.”
The old woman who had spoken sat on a bed near the back of the hut. It was quite dark inside, but I could make out her deeply wrinkled face, faded red dress and that the bed she was sitting on was raised above the ground on a couple of bricks.
She sat with her legs stretched out in front of her, her feet bound in cloths that were once white. Her arms were folded beneath her breasts as she stared at us. I moved my first aid kit from one hand to the other and cleared my throat.
“Too late for what?” I enquired.
She squinted. “You haven’t been here before. Where’s the other doctor?”
“He went back home. I’m new at the clinic.” I held out my hand. “I’m doctor Smith.” She did not take it but her wrinkled face cracked into a smile. “New, eh? I hope you can do something better for my feet, they’re hurting something awfully.”
I looked at my partner, but he shook his head. “You do it.”
I placed my kit on the dirt floor and knelt down by her feet before asking my partner to get me some light.
“You have very good English,” I said, making small talk. “I was worried I wouldn’t be able to speak to you.”
She harrumphed. “I finished school,” she said. “Worked all my life like an honest person in the city. I came back here to help my daughter look after her children. Her husband’s at the mines, you know, up north. She was left behind here.”
“Where is she now?”
“She passed on. A year ago now.”
“So you’re looking after your grandchildren?” It was a story I had become all too accustomed to.
“They also moved on.” She pointed a gnarled black finger at the far rounded wall where four identical pots stood. “Their dust,” she said.
“Ashes? You cremated them?” I wondered how far the closest funeral home was from this rural village.
“Dust,” she insisted and I left it there.
I started unwinding the blood-caked bandages from her feet and searched for something to say in the stillness while trying not to breathe through my nose. For a doctor I couldn’t handle the smell of blood that well.
“You said we are too late?”
She nodded and cringed as I touched her foot. “He took another one,” she said. “My neighbour only returned with the bricks. The ones we make here are not strong enough for the beds, you know.” She shook her head sadly. “No one cares about the rural people – if this happened in one of the cities the newspapers would be all over it, but here…”
I carefully unwrapped her foot. If she had been in one of the cities she wouldn’t have had to wait for us to travel nearly 100kms to give her new bandages and pain medication in a van that broke nearly every 10km.
At last the bandage came off and I stared in horror at her foot. Where five toes should have been, only three were left. The other two were ragged stumps, one partially healed, the other bleeding again after I had removed the bandage.
“What happened?” I asked, focusing on the wall so as not to gag in front of a patient.
“He came again last night and took another one.”
“He?” I stared at her other foot. “How many?”
“Also two gone,” she said and turned her face away from me.
“Who does this to you?”
“I can’t say or he’ll come back. Can’t say. She looked at my partner and said something I didn’t understand.
I looked at my partner, but he too turned his face away.
I cleaned and bound her feet as well as I could and gave her pain medicine.
“You could go back to the city,” I said, but she shook her head.
“He got what he wanted and I have the bricks now. Nothing can hurt me now.”

I said my goodbyes and stepped outside into the bright sunlight. Around the cluster of huts the hills seemed to undulate forever. Here and there in their green folds there were other settlements with a dozen or so huts. There were no electrical cables to be seen. Nothing modern but our van stood here.
I looked at my partner.
“What happened to her?” I asked, knowing that he had been there before.
He waited until we were locked in the car.
“Her daughter stood up to their healer after he mixed the wrong muti to give to someone. He wanted to keep her quiet so he made a Tokoloshe. She stood up to him and the grandmother told the others about the healer’s deeds.”
I looked back at the hut with unbelief.  “But it couldn’t- that’s just folk tales.“
“Where do you think the tales come from?” He sighed and started the car. “She stood up to him and died, that’s why her children turned to dust.” His voice sounded far-off. “That’s what happens.”
I swallowed hard a few times.
“How can she be sure it’s over – it’s just a couple of bricks!”
He shook his head and pointed to where two or three people stood at a new grave.
“The healer was not liked, he was evil. He is buried now. The bricks will keep it away from her.”
As we pulled away and I looked back to the road that would lead us back to the city, I could’ve sworn I saw a fleeting black shadow out of the corner of my eye, darting away from the houses, but when I looked again, there was nothing.

Some writing news

I’m working on a couple of fiction pieces some which just needs a bit of a spit and polish, but also one (The Dragon Seeker) that ended up needing almost an entire rewrite now that I’ve taken it out of the drawer again. I’ve also finished an Afrikaans translation and partial rewrite of one of the NaShoStoMo stories, now called “Sirenesang” (Siren’s Song). I’m hoping to get it in one of the local magazines, but will first send it to a Top Secret Reader...
I’ve also done a translation of part 1 of The Great Sundering – die vertaling, genaamd