Wednesday, May 13, 2015

Fairy Cakes, Gods, Magic, Lost Love & Mental Illness – April’s Flash Fiction

April’s entries for Flash!Friday turned out to be quite a motley bunch. I received a special and honourable mention for two of the stories and received a “Ring of Fire” badge for taking part at least three times during April. I love the amount of writing practice these stories gives me every week and I hope you enjoy them. To see each story’s prompts, click on the titles to be taken to the individual pages. They can, however, be read without the prompts as well.


Yesterday’s Colours

Yesterday is the colour of an old photograph. The first sign of your love is white clouds at the beginning of spring. A vermilion rose is my love for you. A peacock feather’s rainbow is the flowers and gifts I give you. Bright sunlight is our first kiss.

Betrayal is the colour of soot on glass. The same soot that now taints all I see.

Fading love is cirrus cloud white turning into thunderstorm sky grey. Scarlet is the colour of my heartache. Hope for love to return is the colour of a candle flame. Gold and blue lightning is the colour of screamed words of anger. Goodbye is burning pitch; strangling words and tears alike in my throat. Silver is the knife of your words twisting inside me.

A silver knife stabbing.
A stabbed heart crying.
Red blood dripping.

Bruised skin purple is the colour of your new love. Sickly yellow-green bile is my anger and jealousy.Maggots and rotted black teeth is his look of glee, knowing my hurt. The carmine red of dried ox blood is my despair. The last goodbye is a city’s polluted night sky.


Yesterday’s broken love is grainy photograph hidden in a drawer.



Fairy Cakes

When I recognise the man in the shadow coloured coat, I realise that more than a decade have passed on his side of the wall since he was told he had to leave. It feels like centuries have disappeared.

At the kitchen window I wave at him and can see the haze of blue and grey glass buildings on his side of the world. But he doesn’t see me.

The oven dings and I rush over to remove a new tray of cakes. Now that I know he’s here, I start on a new batch of batter; all golden eggs and silver apples. His childhood favourite. I make snow white frosting flavoured with summer roses. Flakes of crayon-yellow sunshine glitter on top.

An apprehensive hand grips my heart. Almost none return here. They disbelieve every memory of magic. They start believing none of this matter. They become hollow.

Clutching hope in my chest, I put the tray of frosted cakes by the open window and let the fresh smell drift into the air.

I wait, hands trembling. Fidgeting. Every second stretches to a year.


Then he looks around at the familiar smell and smiles like a child; released from the glass and smog world for a while.


We’ll Be Free

I know the Nithin can see me where I’m sitting on the corner of the street. It was foolishly stupid of me to sneak so close when I know they can spot me - even though the shadow cloak worked with charms of invisibility hides me from other eyes. But it was my ticket to learn the truth. Now I know how they make their poison. Now I know that my best friend has been helping them. I’’d recognise the Dragon’s Bane plant anywhere. Her family’s safety bought with a bunch of thorny leaves, berries, and roots at the expense of ours. I want to throw myself at her. Claw at her. Curse her for being a traitor and murderer.

The Nithin steps closer in order to see my face, but a mask of white clay hides my features. A ball of paper wrapped around a dragon tear buys me time as I throw it on the cobbles and let it pour forth a veil of acrid smoke. Panic grips the closest people and I run with the knowledge of how to save my people. No longer will people accept the Nithin and their magical hold on life and death here in Agraver.


We’ll be free.


Twisted Time

I don’t know where I am. The place looks familiar in a time-twisted sort of way. The shop over there should be the bakery. The sweet shop across from me. But they’re gone, suddenly, disappeared overnight. Someone came to change everything.

“Crazy crone,” someone mutters as they walk past.

Why is the sweet shop selling gambling tickets?

I want to play, but I feel drained. My mind feels strange. Someone changed everything.


Something clicks.
I wonder why I’m sitting on the cobbles. I should be at home where it’s warm. In my hand is a piece of chalk. Next to me, in a cup, more pieces. There’s a picture on the cobbles of a house with a tree and a family. It looks like it was drawn by a child, but I don’t see any children close by.

My fingers are covered in coloured chalk dust.

What on Earth am I doing here?


I don’t know where I am. The sweet shop is gone, but I have chalk to draw with. None of the other kids want to play with me.

A beautiful lady in a silver dress comes to sit next to me.

Something clicks.

“Time,” I ask. “What have you done to me?”



Sand of the Gods

The gods’ mountain towered in the desert, spilling sand from its peak. In hidden furnaces the glass life-shell hourglasses of mortals were formed before being sent into the scorching sun to be filled with the falling sand. And the Fillers at the foot of the mountain became immortal as life seeped from the sand into their pores.

He poured a few grains into a tiny glass and handed it to the sightless Gatherer. He knew what such a tiny hourglass meant – mother and child would run out of time together. At his age he could no longer stop the tears. Knowing how much time a person had to live wasn’t right. Just last week they’d filled thousands of life-shells belonging to those who’d all die in the same war.

How many glasses had he filled of people who would die in their sleep?

That night he scooped sand into a bag, swung it over his shoulder, and headed out to where the Gatherers kept the hourglasses.

Rows upon rows of life-shells were hidden inside the Gatherers’ caves. He took the first hourglass and added more sand. When he came to the tenth, the hourglasses rattled, cracked and then one after the other exploded.

He dropped the sand. And ran.



Tuesday, May 12, 2015

Vonkfiksie – Blou linte (Flash Fiction)

Blou linte
Daar moet reën wees. ’n Regte Hoëveldse donderstorm met swart wolke, donderweer en die tik-tik van hael op dakke voordat die ys jou vel steek en op die swart teer val en spring. Die hemel se trane moet my woede op huise en motors en sambrele moker.
Of dalk moet dit herfs wees. Geel en rooi blare. Die reuk van vars kompos in die agtertuin. Die appelkoosboom se growwe bas onder my hande en knieë terwyl ons die boom uitklouter.  
Dalk moet dit lente wees. Sonbesies en bye. Blomme en die reuk van gesnyde gras. Ons wat in die buurman se tuin inklim om moerbeiblare vir ons sywurms in hulle leë ontbytpapbokse te pluk. Ons wat giggel terwyl ons die blare van die lae takke stroop. Donkerpers moerbeivlekke op vingers, monde en kaal voete. Jy het altyd blou linte in jou hare gehad.
Maar daar is nie reën nie. Nie blare nie. Nie sonbesies nie.
Net ’n brandende somerson. Die begrafnisondernemer se oprit. ’n Gesig by die sekuriteitshek.
Ek gee die bondel vir die vrou. Die geplooide, bewende hand voel nie soos myne nie. Net ’n oomblik gelede was ons kinders wat speel-speel deur tuine hardloop. Saam.
“Blou linte,” sê ek. “Vir haar hare.”

Vir ’n oomblik ruik ek moerbeie.

Monday, May 11, 2015

Fairy Cakes, Gods, Magic, Lost Love & Mental Illness – April’s Flash Fiction

April’s entries for Flash!Friday turned out to be quite a motley bunch. I received a special and honourable mention for two of the stories and received a “Ring of Fire” badge for taking part at least three times during April. I love the amount of writing practice these stories gives me every week and I hope you enjoy them. To see each story’s prompts, click on the titles to be taken to the individual pages. They can, however, be read without the prompts as well.



Yesterday’s Colours

Yesterday is the colour of an old photograph. The first sign of your love is white clouds at the beginning of spring. A vermilion rose is my love for you. A peacock feather’s rainbow is the flowers and gifts I give you. Bright sunlight is our first kiss.

Betrayal is the colour of soot on glass. The same soot that now taints all I see.

Fading love is cirrus cloud white turning into thunderstorm sky grey. Scarlet is the colour of my heartache. Hope for love to return is the colour of a candle flame. Gold and blue lightning is the colour of screamed words of anger. Goodbye is burning pitch; strangling words and tears alike in my throat. Silver is the knife of your words twisting inside me.

A silver knife stabbing.
A stabbed heart crying.
Red blood dripping.

Bruised skin purple is the colour of your new love. Sickly yellow-green bile is my anger and jealousy.Maggots and rotted black teeth is his look of glee, knowing my hurt. The carmine red of dried ox blood is my despair. The last goodbye is a city’s polluted night sky.


Yesterday’s broken love is grainy photograph hidden in a drawer.



Fairy Cakes

When I recognise the man in the shadow coloured coat, I realise that more than a decade have passed on his side of the wall since he was told he had to leave. It feels like centuries have disappeared.

At the kitchen window I wave at him and can see the haze of blue and grey glass buildings on his side of the world. But he doesn’t see me.

The oven dings and I rush over to remove a new tray of cakes. Now that I know he’s here, I start on a new batch of batter; all golden eggs and silver apples. His childhood favourite. I make snow white frosting flavoured with summer roses. Flakes of crayon-yellow sunshine glitter on top.

An apprehensive hand grips my heart. Almost none return here. They disbelieve every memory of magic. They start believing none of this matter. They become hollow.

Clutching hope in my chest, I put the tray of frosted cakes by the open window and let the fresh smell drift into the air.

I wait, hands trembling. Fidgeting. Every second stretches to a year.


Then he looks around at the familiar smell and smiles like a child; released from the glass and smog world for a while.



We’ll Be Free

I know the Nithin can see me where I’m sitting on the corner of the street. It was foolishly stupid of me to sneak so close when I know they can spot me - even though the shadow cloak worked with charms of invisibility hides me from other eyes. But it was my ticket to learn the truth. Now I know how they make their poison. Now I know that my best friend has been helping them. I’’d recognise the Dragon’s Bane plant anywhere. Her family’s safety bought with a bunch of thorny leaves, berries, and roots at the expense of ours. I want to throw myself at her. Claw at her. Curse her for being a traitor and murderer.

The Nithin steps closer in order to see my face, but a mask of white clay hides my features. A ball of paper wrapped around a dragon tear buys me time as I throw it on the cobbles and let it pour forth a veil of acrid smoke. Panic grips the closest people and I run with the knowledge of how to save my people. No longer will people accept the Nithin and their magical hold on life and death here in Agraver.


We’ll be free.


Twisted Time

I don’t know where I am. The place looks familiar in a time-twisted sort of way. The shop over there should be the bakery. The sweet shop across from me. But they’re gone, suddenly, disappeared overnight. Someone came to change everything.

“Crazy crone,” someone mutters as they walk past.

Why is the sweet shop selling gambling tickets?

I want to play, but I feel drained. My mind feels strange. Someone changed everything.


Something clicks.
I wonder why I’m sitting on the cobbles. I should be at home where it’s warm. In my hand is a piece of chalk. Next to me, in a cup, more pieces. There’s a picture on the cobbles of a house with a tree and a family. It looks like it was drawn by a child, but I don’t see any children close by.

My fingers are covered in coloured chalk dust.

What on Earth am I doing here?


I don’t know where I am. The sweet shop is gone, but I have chalk to draw with. None of the other kids want to play with me.

A beautiful lady in a silver dress comes to sit next to me.

Something clicks.

“Time,” I ask. “What have you done to me?”



Sand of the Gods

The gods’ mountain towered in the desert, spilling sand from its peak. In hidden furnaces the glass life-shell hourglasses of mortals were formed before being sent into the scorching sun to be filled with the falling sand. And the Fillers at the foot of the mountain became immortal as life seeped from the sand into their pores.

He poured a few grains into a tiny glass and handed it to the sightless Gatherer. He knew what such a tiny hourglass meant – mother and child would run out of time together. At his age he could no longer stop the tears. Knowing how much time a person had to live wasn’t right. Just last week they’d filled thousands of life-shells belonging to those who’d all die in the same war.

How many glasses had he filled of people who would die in their sleep?

That night he scooped sand into a bag, swung it over his shoulder, and headed out to where the Gatherers kept the hourglasses.

Rows upon rows of life-shells were hidden inside the Gatherers’ caves. He took the first hourglass and added more sand. When he came to the tenth, the hourglasses rattled, cracked and then one after the other exploded.

He dropped the sand. And ran.




Saturday, May 9, 2015

Writing Process Blog Tour


The talented and lovely Liz Hedgecock asked me to take part in the Writing Process Blog Tour. You can read her post over here and see the writer I nominate to take part at the end of this post.

What am I working on?
I’ve just used Camp Nanowrimo to work on the novel(s) I started last year during Nanowrimo. Although I finished Nanowrimo, the story got a bit away from me and turned out to be bigger than I first thought. I still try to write a flash piece every Friday for Flash!Friday (and these can be read on this blog or over here) and I also write two or three guest posts or articles every week.
These articles range from opinions on current affairs to tips and hacks, so every week is a challenge – which I adore. The other fiction pieces I’m working on are all short stories or flash stories. Like most of my other work, these are also speculative fiction and some also link with the Nanowrimo story.

How does my work differ from others of its genre?
I can’t brag with starting a new sub-genre of speculative fiction, but I have had good feedback about my stories and the worlds I create. I have been told that most of my stories are bittersweet, and it does seem like I don’t often write a piece that’s all light and laughter. My stories tend to focus on how one or two people act within a given set of circumstances.
A theme that I have noticed is remembering or losing memories. For instance, both stories published over at Every Day Fiction have to do memory. My characters in my flash pieces also often don’t have a definite gender – the viewpoint could be male or female, depending on how it is read. I have to admit that I don’t set out doing this, but find that the problem/struggle is in those cases more important for me than having to set the character(s) in stone.

Why do I write what I write?
I’ve always been more attracted to speculative fiction. When I really started writing and not just making up bits and pieces of worlds in my head, I immediately started writing fantasy without really thinking about it. There’s something about the freedom of SFF that I can’t find when writing in the “real world”. You get to ask “what if” and don’t need to be constrained by this world’s countries and history and politics. In a secondary world you can create something beautiful through which you can explore life and I can work through my own questions. It’s much easier for me to write in a different world. And I adore worldbuilding.

How does my writing process work?
My process does depend some on the project. For my weekly flash pieces, I tend to brainstorm before work or during lunch (depending on how busy I am at the office and whether I can take lunch….). A song can often trigger a story or set a mood. As random ideas, sentences or stories pop into my head during the day I’ll jot them down – I always have a notebook with me. Once I sit down to write, I usually make a note or two and then start writing straight away. I’m much more of a pantser than an outliner and often have no idea where the characters or story are going.

One thing I always do, however, is listen to music while I work. I have an eclectic taste in music, so, while I may make a playlist for a specific character, I sometimes just feel like listening to Early Music, Classical music, Pop, Alternative, or everything just shuffled together.

Once I’m done I’ll put the story aside a bit before reading it again and giving it to a friend or writing group to read. I also try to write more by hand and get away from the screen a bit, so many times flash pieces will be written by hand and edited by hand. Writing by hand can sometimes also be more therapeutic than typing.

For the next stop on the blog tour…
Dana Bell is another fantasy writer, whom I met through the Sandboxers Anonymous writing group. She not only has a great imagination, but is also very prolific in her output; as you will see if you visit her blog over here or her brand new one over here.