Monday, May 14, 2012

Maandag Inspirasie: ’n vermaaklike en kreatiewe musiekvideo


’n Bietjie musiek om die litte los te maak so op die Maandag – hierdie is een van my gunsteling musiekvideos:
“Elke man het ’n kop” deur Chris Chameleon



Hierdie liedjie is van sy twee album wat getoonsette weergawes van Ingrid Jonker-gedigte bevat en dié album is beslis meer as driedubbel elke sent werd.

Monday Inspiration: Entertaining and Creative Music Video


Some foot-tapping music to start the week with – this is one of my favourite music videos:
 “Elke man het ’n kop” by Chris Chameleon



It is a poem by acclaimed Afrikaans poet Ingrid Jonker, set to music. The lyrics is:
“Elke man het ’n kop, ’n lyf en twee bene, hulle probeer jou namaak”, which can be translated as “Every man has a head, a body and two legs, they try to imitate you”.

Enjoy!

Friday, May 11, 2012

(Nie-)fiksie Vrydag: The Dragon’s Trail deur Joanna Pitman


Boekresensie: The Dragon’s Trail: The Biography of Raphael’s Masterpiece deur Joanna Pitman. ’n Touchstone Book, gepubliseer deur Simon & Schuster. ISBN-13: 978-0-7432-6513-3.
Vind dit hier op Goodreads.

In The Dragon’s Trail, vertel Pitman die verhaal van ’n enigmatiese klassieke meesterstuk deur een van die Renaissance se bekendste kunstenaars. Ek dink nie enigiemand kan voor een van Raphael se kunswerke staan – of selfs net daarna kyk nie – sonder om deur die skoonheid en talent van die kunstenaar se kwas aangeraak te word nie. Sy skildery, St. George en die draak – wat in 1506 as opdragwerk aangevra is – is geverf toe Raphael slegs drie-en-twintig was. Maar Pitman vertel nie net die verhaal van hoe die skildery geverf is nie, maar volg die lang lewe van hierdie wonderlike skildery deur die daaropvolgende eeue tot die hede.



Hierdie verhaal is nie slegs die verhaal van ’n skildery nie, maar ook die verhaal van die mense wat dit besit en hulle plek in die geskiedenis en sluit in konings, rewolusies, rykdom en armoede en strek van Italië, Engeland en Rusland na Amerika. Pitman skryf in pragtige, dramatiese prosa wat meer soos ’n roman as ’n boek oor kunsgeskiedenis of geskiedenis lees. The Dragon’s Trail is ’n boek vir die leke persoon of die kunsliefhebber, maar ongeag hiervan, is die passie waarmee die boek geskryf is die aansteeklik. Pitman se liefde van kuns en veral hierdie kunswerk word wonderlik in hierdie boek uitgebeeld.

Ek kan hierdie boek aanbeveel vir liefhebbers van geskiedenis, kuns en die Renaissance. Maar, alhoewel die boek se stofomslag wel ’n pragtige kleurafbeelding van die skildery bevat, sou ek dit verkies het as die afbeelding van die skildery binne die boek ook in kleur was en nie slegs in grys nie. Dalk in ’n volgende uitgawe?

Vir algemene leesgenot en -baarheid, gee ek die boek vier en ’n half uit vyf sterre. Definitief ’n boek wat ek weer sal lees.


Foto deur wikipedia

Friday (Non-)Fiction: The Dragon’s Trail by Joanna Pitman


Book Review: The Dragon’s Trail: The Biography of Raphael’s Masterpiece by Joanna Pitman. A Touchstone Book, published by Simon & Schuster. ISBN-13: 978-0-7432-6513-3.
Find it here on Goodreads.

In The Dragon’s Trail, Pitman tells the story of a renowned classic masterpiece by one of the Renaissance’s most famous artists. I doubt that anyone can stand in front of (or simply look at a print of) one of Raphael’s paintings without being moved by the beauty and talent of the artist’s brush. His painting, St. George and the Dragon – commissioned in 1506 – was painted when Raphael was only twenty-three years old. But Pitman does not simply tell the story of how it was painted or the reason for the painting, but follows the long lifespan of this wonderful painting throughout the following centuries until the present day.



This is a tale not only about a painting, but its owners and their place in history, including kings, revolutions, wealth and poverty and stretches from Italy, England and Russia to America. Pitman writes beautiful, dramatic prose which reads more like a novel than a book of art history or history. The Dragon’s Trail is both a book for the lay person and the art lover alike, but, most of all; the passion with which the book is written is contagious. Pitman’s love of art and especially this artwork is brought vividly to life in this volume.

I can suggest this book to lovers of history, art and the Renaissance. But, though the book’s dust jacket does carry a beautiful colour rendition of the painting, I would have liked to see a colour print of the painting inside the book as well and not one in greyscale. Perhaps in the next edition?
For overall enjoyment and readability, I give this book four and a half out of five stars. Definitely a volume I’ll read again.


Wednesday, May 9, 2012

Worldbuilding Wednesday: The Southern Lands during the Midland Wars


Welcome to another Worldbuilding Wednesday. I’ve spent these last few Wednesdays looking at the Midland Wars – links to these posts can be found at the end of this post. Just because things has been happening in the Midlands, doesn’t mean the rest of the kingdoms and stories of Airthai has stood still, though. So, this week I’m looking at what happened to the Dragon Keepers and the dragons while the Midland Wars were raging.

The Midland Wars (Part 4) – The Southern Lands during the Midland Wars

While war ravaged the Midlands of the Continent, the Dragon Guardians of Reiaghy faced a difficult choice. After the attack on the dragons, told of in the story called “The Price of Freedom”, all eyes were on the dragons and their Guardians. Memories of the night in which the dragons had attacked the city twelve years before were still well remembered and another night of fire was feared even after the Guardians assured the people of the city that the dragons would not attack.

The eggs which had been stowed away by the Guardians were returned to the dragons’ nests and the bodies of the slain dragons and guardians were given proper burials. Much had been lost, but the Guardians also realised the grave danger that they had been in and were thankful that so many had been spared. Even so, much had changed between the Guardians and the City Elders. Where once the Guardians were the pride of the city and held in high esteem, they now were more feared than before and looked down upon by City Elders and common citizens alike.

Rumours began to spread – first within the city and then beyond – that the Guardians used dark magic to control the dragons and not their Talent and the tongue gifted to them by the Light. Many of these rumours were purported to have been started by the Guardians whose dragons had shunned them after they had turning from the light.



Soon the Guardians realised that they were no longer safe or welcome in their city and even some of the ships ventured into the ocean without a dragon escort. Many were attacked by the sea dragons and many lives were lost without reason. Dragon Guardians, walking alone in the city were also attacked and two were killed. Their murderers were not found and soon, not only the Guardians, but also the dragons themselves were demanding justice to be done and their safety to be guaranteed. Dragons remained at the House of the Guardians to keep the house safe from attack and during this time an even greater bond was formed between the dragons and their guardians.

 At last the Dragon Elder Lasnith decided that they could wait no longer. He sent for Caythan, the captain of the merchant ship Dragon Claw and chose four of the Guardians to go to the greatest of the Western Isles where the Green Dragons lived and to request lands for the Dragon Guardians and the dragons of the Southern Lands.



Links to previous Midland Wars posts:
Part 1: First Strike
Part 2: Sanctuaries
Part 3: The Rise of the Fáll

To read more about Nasja and the other Guardians, read “A Dragon’s Freedom” or “The Price of Freedom” by clicking on the links. Enjoy!

For those readers who can understand Afrikaans – check out today’s post at Kammastories, or click here for the English version.



Photo: "Ocean" Courtesy of Timobalk at http://www.sxc.hu